Twitter No Longer Includes Usernames in Replies, Giving Users a Full 140 Characters

With a new update, Twitter will now allow users to reply to other users’ tweets without the person’s @ username taking characters away from the 140-character limit.

Tweets are limited to 140 characters, and previously, when a user replied to a tweet to say, @Twitter, the tweet would be reduced to 132 characters before beginning to write the tweet. Now, the username or usernames that are being replied to will appear above a tweet and be displayed as, “Replying to @Twitter”.

This will only be the case if users click the “Reply” option on a tweet, not if users “Mention” a user by composing a tweet on someone’s profile, or composing a tweet then adding the username. Replies to a tweet will appear in a user’s reply notifications, and mentions will continue to appear in mentions notifications.

Threaded tweets and conversations, will display “Replying to” when viewing an individual tweet from a browser or app but opening the thread will lose the “Replying to” text and can be identified by a line connecting the replier’s avatar to the original tweet’s avatar. The difference can be seen in the examples below:

Embedded tweets are absent of both the text and connecting line, showing the original tweet and reply together; it also does not display the number of replies:

Mobile Twitter apps must be updated before the change in replies will be applied.

When replying to a tweet, users have the option of removing certain users from the conversation by de-ticking the check mark next to their name, blocked accounts will appear in the list of users in the conversation but replies will not be sent to them. These names can be accessed by clicking the “Replying to” text.

To add a new username into the conversation, users must swipe the username list down, and manually write the @ username in, which will affect the character limit. Up to 50 usernames may be included in a conversation, but only when cumulatively added through replies, not counting additional usernames that fit in the character limit when written in.

According to Twitter, the replies to a tweet are ranked. This means users are shown Tweets from the original poster, or from people you follow first, not in chronological order.

Workflow Is Now Free On App Store After Being Acquired by Apple

What began with students winning an Apple Worldwide Developers Conference scholarship, culminated in the purchase of their app by the same company they won a scholarship from, Apple.

Workflow describes itself as a tool that can “combine a bunch of steps across apps into a single tap.” Its is an automation too that users can incorporate into their daily tasks to avoid the inconvenience of repeating actions across the iOS. For instance, the app can do things like share photos onto multiple social networking apps for you from the workflow app, rather than opening each app and uploading to each.

Apple did not disclose the financial aspects of their Workflow acquisition, but they have purchased the App along with its four staffers, Ari Weinstein, Ayaka Nonaka, Nick Frey, and Conrad Kramer.

Workflow won an Apple Design Award in 2015 and named it the Most Innovative app. It was previously available for purchase for $2.99, but has been made available to download for free after Apple’s acquisition.

Netflix Announces It Will Finance and Stream 4 More Adam Sandler Movies

Netflix has committed to financing and releasing 4 more movies starring Adam Sandler, to be produced under Sandler’s Happy Madison Productions.

The films were announced by Netflix as an extension to a prior deal with the actor and will be released on the streaming service. Netflix previously announced that it would release 4 movies with Sandler in 2014. Two of those films, The Ridiculous 6 and The Do-Over, have already been released. A third, Sandy Wexler, will be released on April 14.

Netflix claims 93 million members around the world and has made a push toward developing its own content or buying the rights to other properties alongside content it is able to stream through licensing, which make up the majority of streaming content.

Sandler’s The Ridiculous 6, a Western comedy, was filmed on a $60 million budget, its return is not available as specific figures are not released. The film was not made without controversy however. Native American actors and a diversity consultant walked off the set during filming in response to poor depictions of Native Americans.

The movie was also panned by critics, it currently has a 0% rating on Rotten Tomatoes and an 18% on Metacritic. The A.V. Club’s Jesse Hassenger said the film was “[n]ot necessarily a movie for children, mind, but one made by them.”

The Do-Over, a comedy about David Spade and Adam Sandler getting a second chance at life, fared a bit better, pulling in a 5% rating on Rotten Tomatoes.

Even with negative reviews, Netflix made the rare move of discussing viewership (without mentioning specific numbers) and said Sandler’s Ridiculous 6 and The Do-Over were the streaming service’s largest releases yet.

Clearly, audiences are viewing Sandler’s movies en masse and Netflix has noticed, leading to the new offer for 4 more films. Ted Sarandos, Chief Content Officer at Netflix, said “his movies have proven to be extremely successful with our subscribers around the world.”

Sandler also released a statement through the streaming giant, saying:

“[I] Love working with Netflix and collaborating with them. I love how passionate they are about making movies and getting them out there for the whole world to see. They’ve made me feel like family and I can’t thank them enough for their support”

No production or release dates have been announced for the upcoming movies.

Lilly Singh, YouTube’s IISuperwomanII, Releases Her First Book: ‘How to Be a Bawse’

Lilly Singh announced that she would be releasing her first book in July of 2016 on The Tonight Show with Jimmy Fallon. Now that book titled “How to Be a Bawse: A Guide to Conquering Life” will be released Tuesday, March 28.

The 28-year-old YouTube creator who gained international popularity with her comedy sketches and music videos has taken the lessons she’s learned throughout her life and turned it into a self-help guide-book meant to spur others’ efforts to improve every aspect of their life.

How to Be a Bawse includes photos and personal recollections from the star’s life over 288 pages recounting her personal lessons reaching success and emphasizing that there are no shortcuts to success. A “Bawse” is described as “a person who exudes confidence, reaches goals, gets hurt efficiently, and smiles genuinely because they’ve fought through it all and made it out the other side.”

The book’s description also outlines key themes like: prioritizing one’s goal over other minute social distractions, the importance that being kind to others has in developing and maintaining relationships, set aside dedicated time to be creative but understand that motivation cannot be simply turned on, and learn from others who have knowledge to share.

In an interview on The Today Show, Lilly tells the hosts that she continues to climb ladders in the entertainment industry by attending auditions like any other actor, despite her immense success on YouTube and large fan base.  Singh remarks that she defines success not just by how much money or views one is able to earn, but that her personal success comes from knowing she’s making teenage Lilly proud that she is meeting cool people. Of the people she has met, Lilly states that actor Dwayne “The Rock” Johnson is her favorite, as she let her viewers know in her videos.

Singh added on The Tonight Show that there is a chapter dedicated to first impressions and their effect on success. She told Jimmy Fallon that he is anecdotally included in the book because he left such an impression on her when they first met.

Lilly told Jimmy Fallon that she posted her first video in 2010 after going through a bout of depression and thinking she could improve her mood by making others happy through videos. 7 years and a combined 1,815,257,557 views and 13,200,286 subscribers later, it is safe to say Singh has definitely made many people happy with her humorous videos.

Lilly told her YouTube audience that she finished the proposal for the book on her birthday in 2015 and completed her first draft on her next birthday in 2016.

The author will also be on an international tour promoting the book, making 34 stops in 12 countries. Fans of the video creator should note that some events are solely book signings while some are shows featuring Singh, and customers should take check their tickets for the event type. The tour dates and locations can be found on her website here.

 

Here Are the Sundance Movies You Can Catch on Netflix and Amazon

The Sundance Film Festival in Park City, Utah wrapped up on January 29 and received much attention from online streaming services Netflix and Amazon Studios. Here are the feature films and documentaries that have been released to stream or will be released in the following year:

Netflix

I Don’t Feel at Home in This World Anymore (Now Streaming)

Written and Directed by Macon Blair 

Depressed about the deteriorating state of human affairs, a nursing assistant, Ruth (Melanie Lynskey), and her loner neighbor, Tony (Elijah Wood), push their own brand of vigilante justice and track down those responsible for burglarizing Ruth’s home in Macon Blair’s directorial debut.

Burning Sands (Now Streaming)

Directed by Gerard McMurray

During Hell Week for a campus fraternity, a pledge named Zurich (Trevor Jackson) must endure violent hazing by a sadistic group of elder members.

Deidra and Laney Rob a Train (Now Streaming)

Sisters Deidra (Ashleigh Murray) and Laney (Rachel Crow) take to robbing trains and selling the loot to support themselves and gain bail money after their mom is arrested.

The Discovery (March 31, 2017)

Dr. Thomas Harbor (Robert Redford) is a scientist who announced that he verified the existence of an afterlife, and faces public criticism after millions of people around the world commit suicide in an effort to reach the afterlife more quickly.

 

Casting JonBenet (April 28, 2017)

Directed by Kitty Green

Part documentary and part narrative film, Casting JonBenet returns to the town of the 1996 murder where audiences watch the auditions of local actors to play key figures in the murder case, hear their recollections of the crime and investigation, along with a filmed recreation of the events.

Berlin Syndrome (May 5, 2017)

Directed by Cate Shortland

Clare (Teresa Palmer) is an Australian photographer visiting Berlin to photograph buildings for a book, but a date with German teacher Andi (Max Rienelt) turns sinister after Clare awakens to discover that Andi has locked her in his apartment.

Fun Mom Dinner (August 4, 2017)

Directed by Alethea Jones

Toni Collette, Katie Aselton, Molly Shannon, and Bridget Everett star in this ensemble comedy about four mothers who agree to go out for dinner and end up biting more than they can chew in a rambunctious night of partying.

Chasing Coral (Late 2017)

Directed by Jeff Orlowski

This eye-opening nature documentary visits coral reefs and explains how oceanic warming is resulting in the increasing deaths of the world’s coral reefs, and how it may affect underwater ecosystems and life on earth in general.

Nobody Speak: Hulk Hogan, Gawker, and the Trials of a Free Press (TBD)

Directed by Brian Knappenberger

This investigative documentary from the director of “The Internet’s Own Boy: The Story of Aaron Swartz” probes the lawsuit against Gawker after it posted parts of a sex tape featuring former professional wrestler Hulk Hogan on its website and the implications on the freedom of the press and the larger attack on how the public can access information.

The Incredible Jessica James (Late 2017)

Written and Directed by Jim Strouse

Jessica James, played by Jessica Williams, is a 25-year-old playwright living in Brooklyn who learns to deal with the post-break-up stresses and self-discovery with the help of her friends and a new romantic interest.

Joshua: Teenager vs. Superpower (Late 2017)

Directed by Joe Piscatella

Documentary: The story of Joshua Wong and his Scholarism organization are explored in this account of how the Hong Kong college student successfully rallied thousands of other students to protest the Chinese government’s encroaching limitations of Hong Kong’s political autonomy.

The Mars Generation (Late 2017) 

Directed by Michael Barnett

Michael Barnett directed this intimate documentary examining the current state of space exploration and follows a passionate group of teenagers at a NASA youth space camp who aim to help humanity reach Mars.

Icarus (Late 2017)

Directed by Bryan Fogel

Amateur cyclist and documentary filmmaker Bryan Fogel set out to investigate how professional athletes were able to use performance enhancing drugs and get away with it. In the process, Fogel is introduced to the Russian scientist who oversaw a state-sponsored doping scandal of the Russian Olympic team during the Sochi Olympics.

Strong Island (Fall 2017)

Directed by Yance Ford 

In this documentary from the brother of the victim, the 1992 death of William Ford Jr. is examined by questioning how his killer was allowed to go free after a grand jury turned down the case. The effect on the victim’s family is documented by the filmmaker as their lives were ensnarled by the complicated events tinged by racial injustices.

To The Bone (Late 2017)

Ellen, played by Lily Collins, suffers from anorexia and must enter a group home as a last resort, where she takes an affection to Dr. William Becker, played by Keanu Reeves.

Mudbound (TBD)

Directed by Dee Rees

Life in rural Mississippi is viewed through the eyes of a family of white farmers and black sharecroppers, and their  experiences fighting in and returning from World War 2, and the violent racial tensions of the time.

 

 

Amazon Video

Long Strange Trip (May 26, 2017)

Directed by Amir Bar-Lev

A documentary chronicling the rise of the American rock group The Grateful Dead and their influence on the American music scene.

The Big Sick (Theatrical Wide Release July 14, 2017)

Directed by Michael Showalter

Inspired by events in the real-life relationship of screenwriters Emily V. Gordon and Kumail Nanjiani, this romantic comedy centers on Kumail (who plays himself) and Emily (played by Zoe Kazan) as Emily suffers through a mysterious illness that becomes addled by their families’ culture clash.

City of Ghosts (July 14, 2017)

Directed by Matthew Heineman

This documentary follows “Raqqa is Being Slaughtered Silently,” a group of Syrian citizen journalists who risk their lives to document inform the world about the atrocities being committed in their home country at the hands of terrorist group ISIS.

Landline (July 21, 2o17)

Directed by Gillian Robespierre

Landline is a comedy that follows a bickering Jacobs family in 1995 Manhattan as sisters Dana (Jenny Slate) and Ali (Abby Quinn), and parents Pat (Edie Falco) and Alan (John Turturro) deal with their own, and each others’, taboos.

 

Crown Heights (TBD)

Written and Directed by Matt Ruskin

Based on the story of Colin Warner (Keith Stanfield), who was wrongfully convicted of murder and served 15 years in prison. The movie follows the Trinidadian immigrant’s story experience in the criminal justice system and the work done by his friend Carl King (Nnamdi Asomuguha) to overturn his conviction.

 

The Anti-Climactic ‘Missing Richard Simmons’ Finale is a Depressing Example of Celebrity Expectations

After being in the iTunes Podcast Top Charts for weeks, the “Missing Richard Simmons” podcast has concluded its 6th, and final episode.

The podcast was created and hosted by Dan Tabersky, a filmmaker and former producer for The Daily Show, in what was described as an attempt to understand the mysterious and sudden public disappearance of one of the world’s most recognizable fitness icons.

Running from 31 to 36 minutes, ‘Missing Richard Simmons” blends together personal recollections from the host, interviews with Simmons’ past friends and fitness clients, and audio clips from Simmons public appearances. The show is produced by First Look Media, Pineapple Street Media, and Stitcher.

The popular podcast has received praise from long-time fans of the charismatic fitness personality who have also wondered about his whereabouts, and whether or not he was safe. It was not exempt from derision, however, as critics suggested that the podcast was likely an attempt to capitalize from the void left behind by Simmons, fueled by the genuine curiosity of listeners who missed the fitness guru’s intimate presence and had become concerned.

Dan Tabersky made a preemptive effort to quell those allegations with a back story on his relationship with Simmons and why he had grown concerned. Tabersky was a regular member of “Slimmons,” an exercise studio owned by Richard with a class taught by him. Tabersky has said that he was friends with Simmons and a longtime supporter, as were many others who felt a personal connection to Richard Simmons, a personable figure with virtually unlimited reserves of on-screen enthusiasm.

On, February 15, 2014, that all changed. After being in the public spotlight for over 40 years, Richard Simmons changed course and did not show up to teach his class. He attended an event for a Covered California event, the state’s healthcare exchange, in January 2014 but he has not made any public appearances since.

Simmons, who was once 268 pounds and dropped 123 pounds after taking up an interest in exercise, got his professional fitness start in Beverly Hills after opening Slimmons in the 1970s. The center catered to overweight members with music-based aerobics sessions as other fitness centers were more traditional gyms mostly used by those who were already physically fit. Simmons gained international notoriety through many television appearances and his hit “Sweating to the Oldies” home video workout program.

In the final episode, Tabersky theorizes that “something happened to Richard Simmons in early 2014 and he retreated.” He cut off contact with the people Tabersky calls Simmons’ friends, and he shunned the television and live appearances that had once helped thrust him to fame. As a result, an almost paranoid public began to speculate the reasons behind his retreat.

One of the theories proposed that Simmons was kidnapped or was being held hostage by his housekeeper. Another theory assumed that the fitness guru had gained back the weight that he had kept off for 40 years and was ashamed to be seen by the public. Yet another theory propagated by tabloid magazines and gossip websites like the National Enquirer and TMZ suggested that Mr. Simmons was undergoing a gender transition. One of the stranger theories people had concocted was that Simmons was the victim of witchcraft and had been placed under a spell by his housekeeper.

These malicious rumors were rejected by Simmons in an interview with “Entertainment Tonight” and “Today” in 2016 where he says “I want to take time for me” after teaching “thousands and thousands of classes,” assuring that no one is holding him hostage or controlling him, and the allegations against his housekeeper are “silly.” The reports mention that the Los Angeles Police Department had even been called to perform a welfare check on Mr. Simmons and evaluate his well-being, and they had found no evidence of wrong-doing.

He spoke of undergoing knee replacement surgery and his other knee has been hurting so he has been “taking it easy” to avoid another surgery. The most telling insight to his personal reasons for becoming reclusive was evidenced in the interviews with Simmons saying: “I just really don’t want to do anything. I just don’t want to be traveling anymore. It certainly has taken its toll on me. It was not over a day, it was just over some time.” He reiterated on both programs that he wanted to be a “loner” for a while, ending his Today interview with, “You haven’t seen the last of me. I’ll come back and I’ll come back strong.”

This podcast has re-opened those old wounds, reminding listeners about the criminal accusations Simmons’ 30-year-long housekeeper has been subjected to, and focusing international attention on a 68-year-old man who wants no more than to be left alone.

By publicly broadcasting one’s delving into another person’s private affairs, the goading of others (unintended or otherwise) to peer into Simmons’ life is straying the line between a legitimate, well-intentioned inquiry into someone’s well-being, and stoking a rumor mill that encroaches on the privacy of someone who has rejected the public spotlight.

The podcast had become largely speculative and veered toward devolving into fruitless tabloid gossip. A series of “what-ifs” and vague near-accusations had overtaken the narrative, side-stepping full-fledged accusations so as to not expose the podcast to claims of falsification or libel.

Over the course of 6 episodes, the host laid out the possible theories and motives, then explained why those did not make sense, only to proclaim that he could not fully believe that they did not make sense. He repeatedly trudged through more rhetorical doublespeak in the course of the podcast. Tabersky goes to great lengths to avoid picking sides, choosing to become the devil’s advocate on a topic he had unnecessarily re-introduced into public debate.

As episodes were released, the mission to investigate an enigmatic situation seemed more and more like opportunism centered around a celebrity’s supposed social expectations. There was airtime that fixated on innocuous moments, like a 2-second video of a beach posted on Simmons’ Facebook page, going so far as to travel to the same beach to compare audio, and describing the audio in the 1st video as eerie. The host said he would feel like the calmer audio in his own recording is what Mr. Simmons would prefer.

“Missing Richard Simmons” implies that the guru himself is missing, but it is meant to reference the emotional loss that the supporters and host alike are suffering, and the fact that they “miss” him. If the former were the case, it would be titled Finding Richard Simmons, but there is no one to find. The team behind the podcast knew that the podcast was going nowhere, with the host stating: “We didn’t know how Missing Richard Simmons was going to end.”

In November 2016, the Slimmons studio closed the doors to its Beverly Hills location. At the same time, Tabersky was in the beginning stages of the podcast, now sharing audio of the recordings he had gathered at the studio’s final class. Tabersky hoped that Richard Simmons would show up to the event, and he interviewed other Slimmons members and Simmons fans who shared the same hopes. He did not attend, sending his manager Michael Catalano on his behalf.

The heartfelt moments between Tabersky and the other supporters explained why they miss Richard Simmons, and how much of an impact he’s had on their lives. Simmons has had a vibrant personality and used that to encourage countless others to improve their health through exercise. Tabersky amplified this by saying: “The pain for his supporters is real because he’s such a big part of their life.” People who once thought they could not change their lives were able to gain confidence with the support of Richard, who was there to guide them through the change they wanted. They question how Richard, “someone who spent so long saving your life” is now “asking to pretend it never happened” and to respect that it is no longer happening, referring to Richard’s influence on their lives.

In a recorded phone conversation, Michael Catalano said he has been Simmons’ manager since April of 1987. Regarding Richard’s absence at the studio’s final class, Catalano said “It would’ve been too much for him… this is a very emotional, empathetic, sympathetic, compassionate person and goodbyes are tough.” Mr. Simmons had already previously declared his retirement, but because he did not do so to public fanfare, it was seemingly not enough. Catalano addressed this, saying “Not everybody would take the last bow”  and that because Simmons is “headstrong and stubborn… It has to be what Richard wants, not what everyone else wants – it’s his story.”

Tabersky asked a question: “Has Richard heard the podcast?” Richard’s manager responded, “I don’t think he’s heard it in its entirety, but he’s definitely heard it.” Richard is likely aware of the public speculation surrounding his reclusive behavior, although he has already explained his reasoning in interviews years before. With this in mind, the manager also told  Tabersky, “I can’t say that Richard feels better as a result of the podcast, perhaps you do… I think you really created more worry and speculation” to which Dan does not reply nor does he acknowledge the reality of how he is likely worsening the situation. He simply moves on from that topic, to talking about the “friendships” Simmons has left behind.

The Los Angeles Police Department (LAPD) was once again under public pressure and called to Richard’s house to perform a welfare check. They, again, found no reason for worry.

Tabersky said that he spoke with a detective from the LAPD, who said that the welfare check was in part due to the podcast. According to Tabersky, the detective was at the Simmons residence for 90 minutes and questioned both Mr. Simmons and his housekeeper Teresa in separate rooms. Teresa was described as being nice and cooperative, while Richard was clean-shaven, healthy, and fit, saying “Richard Simmons is alright” and Tabersky suggesting “Teresa Reveles is just doing her job,” and “she’s doing it well.”

Even with all of this information about Simmons’ well-being, Tabersky still maintains that he “can’t get himself to believe it.”

Richard’s candor had led the people he met to believe that they had developed a personal relationship with him. Tabersky wondered “if decades-long friendships with Jerry and Iris (former clients) and others weren’t real.”

Dan also interviewed Richard’s brother, who said that Richard is “very content and he’s healthy.” Richard’s publicist told Dan that “He’s (Richard) basically retired.” Dan also mentioned Richard’s 2014 interview on Today with Savannah Guthrie when he said “I’m feeling good, my health is good.”

This leads one to wonder if Simmons was just a really good actor, and was successful in displaying a public persona for over 40 years as a marketing strategy. The more realistic explanation would be that he actually was this outgoing, but he simply chose to live in private, as he has explained.

In retirement, he has no professional commitments to make dramatic improvements to people’s lives. Tabersky considers the possibility that Richard hangs out with his brother, Teresa, and the professionals managing his business because he doesn’t have to be “that person” around them; he’s allowed to have faults without the public analyzing what he says and doesn’t say.

The show opines that the longer Simmons manages to stay in isolation, the world will continue without him, and for Richard, that brings freedom. For his long-time audience, that brings a feeling of emptiness, but they will find a way to continue without him as the rest of the world will.

As the final episode concludes, Dan Tabersky poses another question to Richard Simmons’ manager, “Is it possible to get 5 minutes with Richard Simmons?” “It is not,” replies Michael Catalano. A disheartened Tabersky tells Catalano “I am sad not to hear from him.”

Like so many others who considered Simmons to be their friends, Tabersky was disappointed that he was not close enough to be in his non-professional inner circle that visits him now. At a time when everything we want to know is a few clicks away, it becomes frustrating to not have information about a public figure. The only information we need to know is the reality that Richard Simmons has retired from a public career and a public life, and we must respectfully honor his privacy after he has spent his own life improving the lives of countless others.

 

YouTube’s Kassem G Starts a New, Weekly Live Show

Arguably YouTube’s most eligible bachelor since 2008, YouTube heart-throb and part-time Taylor Lautner impersonator, Kassem Gharaibeh (Kassem G), has begun a new venture on his YouTube channel after an extended period of inactivity.

Mr. Gharibeh discussed how the new show, the first episode of which is titled “Untitled Kassem LIVE Show #1,” would be formatted. It will begin with Peter Gilroy and Kassem’s brother Omar reading questions from Twitter, as the host replies from the entrance to his new Airstream RV.

When seeking a theme song for his new show, Kassem consulted Los Angeles-based musical comedy group, The Cooties, composed of Ethan Edenburg, Jacob Jeffries, and Eric Jackowitz. A pre-recorded video of the trio performing three songs for Kassem was played and led to the host asking live viewers which they liked the best via a Twitter poll.

Kassem entered his Airstream to interview a special guest; this week it was Instagram influencer Amy Pham with a special appearance by his dog Kai. The two discussed how Instagram users can make money, and whether Kassem can increase his Instagram prominence.

Pham and Gharaibeh connected to Gharibeh’s mom via Apple Facetime in another to-be-reccuring segment where he asks her to review a movie every week. Needless to say, she is not a fan of Interstellar’s less-than-stellar dramatic points and lackluster performance by Matthew McWhat’s-his-name. He urged viewers to suggest movies for his mom to review during future episodes.

Once the interview and review with the special guest concluded, the guests will draw or paint a portrait of Kassem. Other segments included introducing a puppet named Del the Vacation Dalmatian, an El Segundo commercial seemingly edited on Windows 98 Movie Maker, and a series of educational mini documentaries created by Dax Flame, with the 1st being on J.D. Salinger.

Kassem gained popularity with his “California On” man-on-the-street series, where he’d interview pedestrians in Venice Beach, California. Each video centered on a single interview topic with complimentary thumbnail clickbait, ranging from gathering interviewees’ opinions on pop culture, countries, politics, holidays, among others. California on Comic Con would later become a recurring segment at San Diego Comic Con, with the release of the 8th edition this past summer.

His most viewed “California On” video  examines drug culture in California and proposed marijuana legalization in the Golden State. A baby-faced Kassem begins the video in front of a medical marijuana dispensary, which now happens to be the headquarters for Snapchat (Snap, Inc.). Those questioned responded positively to the idea of legalized recreational marijuana, before cutting the interview short, presumably to return to a Phish concert at a homeless encampment in Bakersfield.

The YouTube personality’s most viewed video of all time, at 15,725,082 views, is from his “Going Deep” series’ interview with adult film star Asa Akira. “Going Deep” involved one-on-one interviews with a different adult film star in each episode. Featuring conversational questions from the host and desperate pleas from the online audience, an austere Kassem would spend the length of the interview steering it towards more intimate scenarios.

The channel also provided sketch comedy videos, some of which were part of the “Awkward Moments with Kassem G” series. “AsKassem” segments appeared on his 2nd channel and featured Kassem answering viewer questions as a green screen behind him displayed intricate graphics–comparable only to Michelangelo’s work in the Sistine Chapel–highlighting the absurdity of the questions and the show itself. Street Music videos were made in collaboration with Nice Peter of Epic Rap Battle fame.

Kassem was one of the first original content creators on YouTube to accumulate a sizeable following and later turn his online presence into a successful company in collaboration with other YouTubers in the form of Maker Studios. The multichannel network would later be sold to The Walt Disney Company.

Apple Unveils New Clips App, Built to Edit Videos on the Go

On March 21, Apple announced a new app, ‘Clips, that is being described as a tool to enable iOS users to create and share short video clips, all from their iOS devices.

Although the app is not intended to be used as a platform to host the videos and be shared within the app, Apple assures that the videos will be easily shared to other social networks including Facebook, Instagram, YouTube, and Vimeo.

‘Clips’ will allow users to edit videos that are saved on their phone, or record new videos from the app. Photos and multiple  short video clips may also be compiled to create a video. Text can be placed on the finished or audio captions can be generated by the app in real time in a feature called Live Titles. Live Titles is available in an initial 36 languages and will produce quality captions from your voice or other audio that can be animated with a variety of different effects or emojis, which can be edited by the user.

Dozens of in-app soundtracks are free and easy to use and will automatically adjust to the length of the video.

The clips themselves can also be edited with filters to alter the look, like inserting a a comic book effect. Speech bubbles, emojis and other filters will also be available.

Also included in the editor is the app’s ability to recognize faces from a video the user has created and make suggestions on who to share it with.

Apple can already organize images based on who is in the photo by using facial recognition after users give a name to an image of a person in a People album. It can also group together images featuring certain recognizable objects and allow users search for them.

The app will be available to download in early April and is built to work on “iPhone 5s and later, the new 9.7-inch iPad, all iPad Air and iPad Pro models, iPad mini 2 and later, and iPod touch 6th generation” devices running iOS 10.3 or newer, according to Apple.

Rhett and Link’s Mythical Entertainment Launches New Project: ‘This Is Mythical’

After releasing 5 puzzling teaser videos over the past 5 days, Rhett and Link announced their newly-renamed fourth channel, named ‘This Is Mythical,’ which will feature at least 3 new series from the internetainers’ production company, Mythical Entertainment.

Minimal information was provided, but based on the teaser video released online, “Good Mythical Crew” videos that were previously released on the Good Mythical Morning channel will now be released on the the This Is Mythical channel, with increased frequency of video releases.  Good Mythical Crew members Mike and Alex will get their own show entitled “Ten Feet Tall.” The “Ear Biscuits” podcast will be returning and continue to be distributed on iTunes and SoundCloud, but a video podcast will also be released, Rhett & Link said on YouTube. Also announced is “Mythical-icious,” which will feature food videos.

The teaser trailers for the original programming will be released this week and will be available to view starting March 27.

Rhett and Link’s popular morning talk show, Good Mythical Morning, has been a hit among the YouTube community, releasing 1,051 videos to date. The show began in its current form on January 9, 2012 as a follow-up their former talk show, “Good Morning, Chia Lincoln” which ended February 28, 2011 before the duo set off on their cross-country road trip.

This isn’t the first spin-off of the Good Mythical Morning series, previous shows included the 125-episode “The Hey Hey Show” hosted by Candace Carrizales and Shannon Coffey who are now at SourceFed and MTV’s Ladylike, respectively.

YouTube Red also offers a series from Mythical Entertainment, “Rhett & Link’s Buddy System,” which fans, affectionately referred to as Mythical Beasts, have apparently enjoyed based on online reception. Variety placed the YouTube Red series in the #1 in-demand show for digital originals, based on data from Parrot Analytics.

 

Dave Chappelle Ready to Make Stand-Up Return With Three Netflix Releases

Dave Chappelle last graced the screens of stand-up comedy fans with his 2004 special “For What It’s Worth” after his first full length special “Killin’ Them Softly,” was released in 2000.

Chappelle’s sketch comedy series, “Chappelle’s Show” on Comedy Central’s was widely popular and well-received by critics, with many memorable moments emerging from the show. Those popular and memorable moments may have doomed the show, however, as Chappelle soon found he could not escape its phrases being shouted at him while he performed. Lines from the show’s popular Rick James sketch were shouted at him during a stand-up performance in Sacramento, California in 2004. Chappelle abruptly left the show amid filming of the third season and fueled public speculation regarding the reasoning. Chappelle told Time that this was part of the reason he chose to leave the show and decided to head to South Africa for two weeks to get away from “the distractions of fame.”

The show ran for two full seasons, and was offered a renewal for two additional seasons; Chappelle left behind a $50 million contract doing so.

Three new comedy specials from the comedian were purchased by Netflix, with two set to air this Tuesday, March 21. One special, titled The Age of Spin: Dave Chappelle Live at the Hollywood Palladiumwas filmed in Los Angeles in March 2016. The other, Dave Chappelle: Deep in the Heart of Texas, was filmed in April 2015. Both were filmed by Chappelle as he performed on his own accord, the third special was ordered by Netflix and does not yet have a filming date or release date.

Chappelle was reportedly offered $20 million per special.